Tony de los Reyes
Eclipse, 2008
Red bister on paper
77 x 108 3/4 inches
Gift of Michael O. and Sirje Helder Gold in memory of their son Maximilian Arnold Gold

McCarren/Fine
LOFE, Paris, 2015
(City of Light) Found Graffiti
Photo credit: Jud Fine
© McCarren/Fine

Courtesy of Nancy Frank

Robert Irwin
Drawing for Window Wall at
Cal-State Long Beach, 1975
Ink, pencil, and marker on paper
23 x 31 3/4 inches
© Robert W. Irwin

UPCOMING EXHIBITIONS

Jud Fine and Barbara McCarren: AND/OR

September 10 – December 11, 2016


Jud Fine and Barbara McCarren are the first to say they are “poles apart” in their creative process. Fine begins with “clarity” and arrives at “complexity” while McCarren begins with “complexity” and arrives at “clarity.” It is by no means a natural or easy effort for this artistic dyad to work from opposite poles. Their choice of subject matter inevitably parallels the significant role that forces of opposition play in the process of creation.

More than 20 collaborative artworks by McCarren/Finewill be on view in AND/OR. Three photo-collage installations from the Currency series will be re-created for the first time in Southern California. Their latest collaborative endeavor, Continental Edge Dwellers, will occupy the remaining galleries. In this new series, McCarren/Fine address land (the beach), water (the sea), and the line of division (the coastal shore). To dwell on the continental edge is to occupy some of the most exclusive and expensive space on the planet, as well as the most fragile and threatened. Unique conditions arise at the edge to affect individuals living there, but also the entire world. For both artists, the impenetrability of the sea versus the intimacy and comfort of a land-based society speaks metaphorically to human constraint and provides the two with an infinite field for imaginative expanse.


Frank Brothers: The Store that Modernized Modern

January 31 – April 16, 2017

From the mid-20th century onward, the Long Beach-based Frank Bros. emporium was at the forefront of modern furniture sales and marketing in the United States (1938-1982). In its heyday, Frank Bros. was the primary U.S. source for the most coveted mid-century design including Alvar Aalto, Charles and Ray Eames, Van Keppel Green, Bruno Mathsson, Paul McCobb, and Knoll, among others. Frank Bros. also designed the interiors for more than half the Case Study Houses featured in Arts & Architecture magazine, helping define a modernism that was quintessentially Southern Californian.

Frank Bros.: The Store that Modernized Modern draws from the Frank Bros. archive at the Getty Research Institute and the Frank family personal collection, the exhibition will present the company’s arsenal of graphic material, as well as photographic documentation, travel correspondence, and newspaper advertisements.Larger-scale installations of mass-produced and prototypic original furniture and objects will allow visitors to understand the importance of display in a “pre-IKEA” marketplace.


Robert Irwin: Site Determined, Curated by Dr. Matthew Simms

Summer 2017

Robert Irwin: Site Determined is the first exhibition to explore four decades of the artist’s outdoor environmental projects through his drawings and architectural models. Starting with Irwin’s 1975 drawing for Window Wall, his first outdoor sculpture, the exhibition traces the gradually widening scope of Irwin’s art through such ambitious projects as his Arts Enrichment Master Plan for the Miami International Airport and his Central Garden at the J. Paul Getty Center. The exhibition culminates with twenty drawings and an architectural model for one of Irwin’s most important site determined works to date in Marfa, Texas. From one drawing to the next, and from one project to the next, the exhibition visitor will discover an expansion of aesthetic range as well as a gradually increasing chromatic freedom.


All events are free and open to the public. For a list of current exhibitions programming here.

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